《奥斯维辛之后》内容简介

　　“论笔”一词译自“Essay”，意谓“具随笔之形，有论文之实”，是阿多诺特别推崇并亲自实践的一种述学文体。本书精选阿多诺的论笔22篇，试图呈现这位思想家在社会、文化与文学层面的相关思考。因“奥斯维辛”是阿多诺的创伤性内核，“奥斯维辛之后”又是覆盖其整个思想话语的重要哲学命题，本译著故以《奥斯维辛之后》为主打书名。

　　全书分为三辑，选文主要考虑它们在阿多诺思想中的重要性和代表性。第一辑名为“奥斯维辛之后：写诗野蛮否”，体现了阿多诺对文化与社会的总体思考；第二辑名为“艺术：摇摆于严肃与欢悦之间”，呈现了阿多诺对文学艺术的关键论述；第三辑名为“文化工业：总体效果是反启蒙”，选取了阿多诺谈论大众文化的重要文章。

　　本书前有译者导言，后有附录三篇——其中译文一篇（译文作者洛文塔尔是法兰克福学派成员，对阿多诺知根知底），访谈两篇（受访者塞缪尔·韦伯译有《棱镜》，是普天下英译阿多诺第一人；马丁·杰伊著有《辩证的想象》，是全世界法兰克福学派史第一部）——它们都有助于读者对阿多诺的阅读理解。

　　作者简介

　　特奥多尔·W.阿多诺（TheodorWiesengrundAdorno,1903–1969），德国哲学家、社会学家、美学家、音乐理论家，法兰克福学派第一代核心成员和思想领袖。其理论贡献主要体现在，通过否定的辩证法、精深的美学理论、忧郁的道德哲学、愤激的文化工业批判以及断片式思维和星丛式表达等，大大充实和丰富了法兰克福学派的社会批判理论。主要代表作有《否定的辩证法》《美学理论》《小伦理学》等。

　　译者简介

　　赵勇，文学博士，北京师范大学文学院教授，文艺学研究中心研究员，主要从事法兰克福学派与西方文论、文学理论与批评、大众文化理论与批评等方面的教学与研究。著有《整合与颠覆：大众文化的辩证法——法兰克福学派的大众文化理论》（增订版）、《走向批判诗学：理论与实践》《法兰克福学派内外：知识分子与大众文化》等，主编有《文学与大众文化导论》《批判理论的旅行：在审美与社会之间》（另一主编是塞缪尔·韦伯教授）等，合译有《文学批评：理论与实践导论》。

　　赵天舒，哲学博士，清华大学中文系“水木”博士后，北京大学法国语言文学学士，巴黎索邦大学比较文学硕士，巴黎第十大学美学博士，主要从事法国后现代理论与法国现代文学研究。著有法语专著Lepossibledel’impossible:laquestiondel’expérience-limitechezGeorgesBataille（《不可能之可能：乔治•巴塔耶思想中的“极限经验”问题》），译有《天空之蓝》、《人与神圣》。

After Auschwitz

The word "Treatise" is translated from "Essay", which means "with the shape of essay, with the reality of essay". It is a kind of descriptive style that Adorno especially praises and personally practices. A selection of 22 essays by Adorno attempts to present the thinker's thoughts on society, culture and literature. Because "Auschwitz" is the core of Adorno's trauma and "After Auschwitz" is an important philosophical proposition covering his whole thought discourse, this translation takes "After Auschwitz" as the main title.

The book is divided into three volumes, selected mainly for their importance and representation in Adorno's thought. The first volume, titled "After Auschwitz: Writing Poetry Barbaric or Not," reflects Adorno's general thoughts on culture and society; The second volume, titled "Art: Oscillating between Seriousness and Joy," presents Adorno's key discourse on literature and art; The third volume, titled "The Culture Industry: The overall Effect is Counter-Enlightenment," features important essays by Adorno on popular culture.

The book is preceded by the translator's introduction and followed by three appendictions, including one translation (the author of the translation, Lowenthal, is a member of the Frankfurt School and knows Adorno well), and two interviews (the interviewin, Samuel Weber, translated Prism, is the first person in the world to translate Adorno into English; Martin Jay is the author of The Dialectical Imagination, the first history of the Frankfurt School in the world) - they all contribute to the reader's understanding of Adorno.

About the author

Teodor w. adorno (TheodorWiesengrundAdorno, 1903-1969), a German philosopher, social scientist, aesthetes, music theorist, the Frankfurt school the first generation of the core members and thought leaders. Its theoretical contributions are mainly embodied in the negative dialectics, profound aesthetic theory, melancholy moral philosophy, angry cultural industry criticism, fragmented thinking and star-cluster expression, which greatly enrich and enrich the social critical theory of the Frankfurt School. His main works include Negative Dialectics, Aesthetic Theory, Little Ethics and so on.

Translator's introduction

Zhao Yong, Ph.D., Professor of the School of Literature, Beijing Normal University, Researcher of the Research Center of Literature and Art, mainly engaged in the Frankfurt School and Western literary theory, literary theory and criticism, popular culture theory and criticism and other aspects of teaching and research. He is the author of Integration and Subversion: The Dialectics of Popular Culture: The Theory of Popular Culture of the Frankfurt School (revised edition), Towards Critical Poetics: Theory and Practice, Inside and Outside the Frankfurt School: Intellectuals and Popular Culture, and the editor of Introduction to Literature and Popular Culture, A Journey in Critical Theory: Between Aesthetics and Society (also edited by Professor Samuel Webb) and Literary Criticism: An Introduction to Theory and Practice.

Zhao Tianshu, Ph.D., postdoctoral fellow of Shuimu, Department of Chinese Literature, Tsinghua University, Bachelor of French Language and Literature, Peking University, Master of Comparative Literature, Sorbonne University, Paris, Doctor of Aesthetics, University of Paris X, mainly engaged in French postmodern theory and modern French literature research. With French book Lepossibledel 'impossible: laquestiondel' experience - limitechezGeorgesBataille (the possible of the impossible: The Problem of "Extreme Experience" in the thought of Georges Bataille, translated as "The Blue of the Sky", "Man and the Divine".