内容简介
《苏东坡文集》谈到苏轼这位生活在北宋时代，而在中国文艺史上却不愧是文艺方面独一无二的全能大家时，我总会联想到曹丕《典论·论文》最后这几句话：“年寿有时而尽，荣乐止乎其身；二者必至之常期，未若文章之无穷。是以古之作者，寄身于翰墨，见意于篇籍，不假良史之辞，不托飞驰之势，而声名自傅于后。”曹丕这些话是有所据而云然的，也不妨看为对文艺历史上这一现象的合理总结。因为在他之前。已经有“西伯幽而演易，周旦显而著礼，不以隐约而弗务，不以康乐而加思”的例子，这是他认识到了的，而在他之后，则证据更多。就是对曹丕自己，今天大多数人所以还知道或记得他，并非因为他做过皇帝，而是因为他留下了《燕歌行》、《典论·论文》之类有价值的作品。那么对苏轼，这情况就更显著了。
Content introduction
When Su Dongpo's Collected Works talks about Su Shi, who lived in the Northern Song Dynasty and is truly a unique all-around master in literature and art history, I always think of the last few words in Cao PI's Classic Treatises: "When years and years come to an end, prosperity and happiness stop at his body; The two will come to the regular period, not if the article is infinite. It is the ancient author, put himself in the calligraphy, see the meaning in the text, not fake the words of good history, do not rely on the trend of speed, and fame from the Fu later." These words of Cao PI are groundless and can also be regarded as a reasonable summary of this phenomenon in the history of literature and art. Because before him. There have already been examples of "Sibu playing easy with quiet, Zhou Dan showing courtesy, not with vague but with fufu, not with recreation", which he has realized, and after him, there is more evidence. Even for Cao PI himself, most people still know or remember him today, not because he was emperor, but because he left valuable works such as Yan Gexing and Classic Treatises. Then for Su Shi, this situation is even more remarkable.
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