内容简介
新一代人工智能的出现，引发了人们的焦虑。人类劳动是否完全会为人工智能所取代？面对技术革新的时代巨变，人类该何去何从？人类与技术之间又有着一种怎样的关联？
本书是一部GPT时代电影文化研究的前沿成果，在梳理相关理论和运动影像史的基础上，以影片、银幕和观众三者的关系为框架，锁定观看行为这一方向，以《黑客帝国》等“元宇宙电影”为例，论述了电影技术、观看行为以及人类感官机制的相互影响和共同进化。为人们深入理解电影这一现代媒介打开一个新视角，启发人们对人类与技术之关系的思考。
作者简介
作者：罗杰·F.库克，美国密苏里大学德国文化研究教授、电影学系主任。曾共同主编《维姆·文德斯的电影：影像、叙事与后现代情境》以及《柏林学派术语表：德国新电影辞典》。
译者：韩晓强，电影学博士，西南政法大学新闻传播学院副教授，媒介研究公众号“观察者的技术”运营者。
Content introduction
The emergence of a new generation of artificial intelligence has caused anxiety. Will human labor be completely replaced by artificial intelligence? In the face of the era of technological innovation, where should mankind go? What is the relationship between humans and technology?
This book is a cutting-edge achievement of film culture research in the era of GPT. On the basis of combing relevant theories and the history of moving images, it takes the relationship between film, screen and audience as the framework, and focuses on the direction of viewing behavior. Taking "meta-universe movies" such as The Matrix as an example, it discusses the mutual influence and co-evolution of film technology, viewing behavior and human sensory mechanism. It opens a new perspective for people to deeply understand the modern medium of film, and enlightens people's thinking about the relationship between human beings and technology.
About the author
Roger F. Cook is Professor of German Cultural Studies and chair of the Department of Cinematography at the University of Missouri. He co-edited Wim Wenders' Films: Images, Narratives, and Postmodern Situations and Glossary of the Berlin School: A Dictionary of New German Cinema.
Translator: Han Xiaoqiang, Doctor of film studies, Associate professor, School of Journalism and Communication, Southwest University of Political Science and Law, operator of media research public account "Observer's Technology".
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