内容简介
罗贝尔·布列松是二十世纪伟大的电影导演，以极简主义的电影语言书写人类的精神世界，其独树一帜的美学深刻影响了世界电影史，被塔可夫斯基、戈达尔等大师一致推崇。这位沉默、超然的电影圣哲，在艺术之路上缓慢求索，在世时仅留下十四部电影作品。《电影的节奏是心跳：罗贝尔·布列松谈话录》是布列松的权威谈话录，收录其四十年艺术生涯中所有重要谈话，由其遗孀米莲娜·布列松亲自整理编纂。本书以创作历程为经，以电影美学为纬，在其中，布列松将他对艺术和人生的哲思娓娓道来，字字箴言，简洁而不失激情。这些思想犹如永恒的火焰，照亮了通向纯粹、真实的艺术长路。
作者简介
米莲娜·布列松（Mylène Bresson）
原名玛丽-马德莱娜·范德默施（Marie-Madeleine van der Mersch），电影《梦想者四夜》（1972）的助理导演，罗贝尔·布列松的遗孀。
Content introduction
Robert Bresson is a great film director in the 20th century. He writes about the spiritual world of human beings with his minimalist film language. His unique aesthetics have deeply influenced the history of world film, and he is praised by Tarkovsky, Godard and other masters. The silent, detached sage of cinema, who slowly pursued the path of art, left only fourteen films in his lifetime. The Beat of the Cinema is the Heartbeat: Conversations with Robert Bresson is the definitive account of all the important conversations of Bresson's 40-year career, compiled by his widow, Milena Bresson. In this book, which follows the course of his creation and the aesthetics of film, Bresson delivers his thoughts on art and life in a concise and passionate way. These thoughts are like an eternal flame, lighting up the long road to pure and true art.
About the author
Mylene Bresson
Marie-Madeleine van der Mersch (born Marie-Madeleine van der Mersch), assistant director of the film Four Nights of the Dreamer (1972), widow of Robert Bresson.
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