作品简介
泰州学派是我国思想史上一个独具特色的学术流派，在阳明后学中可谓最富有革新精神和平民意识的一支。它的存在犹如一条河流，以王艮讲学授徒为滥觞，不断发展壮大，到王栋、王襞、颜钧、何心隐、罗汝芳等“一代高似一代”，形成波澜壮阔之势，继而余波荡漾远及李贽、焦竑等豪举之士、宿学巨儒，直至最终汇入中国传统哲学思想之海。泰州学派美学立足于先儒的理论体系，提炼出“百姓日用”这一核心范畴作为美的本体，并围绕它构建起完整的学术框架：以灵气氤氲的“生”作为“百姓日用”之美的根本特征，以躯体与精神有机融合的下层大众之“身”作为“百姓日用”之美的创造主体，以人们在“百姓日用”间完善自我的“修”为审美创造实践，以人们体验“百姓日用”时获得的最根本最真实的“乐”作为审美感受，整个体系完善清晰而富有鲜活的勃勃生机。因此泰州学派“百姓日用”美学不仅具有其不可替代的地位和价值，还直接影响了明清之际审美观念的深刻变革。
邵晓舟，女，1976年1月生，江苏扬州人。1998年南京师范大学文学院汉语言文学教育专业毕业，获文学学士学位。曾在原扬州师范学校工作。2003年、2006年于扬州大学获文学硕士学位及文学博士学位。2006年起留校任教。
Introduction of works
Taizhou School is a unique academic school in the history of Chinese thought. It can be described as one of the most innovative and civilian consciousness in the post-study of Yang Ming Dynasty. Its existence is like a river, starting from Wang Gen's lectures and teaching his students, and continuously developing and growing, to Wang Dong, Wang Ji, Yan Jun, He Xinyin, Luo Rufang and other "generations are like generations", forming a magnificent trend, and then the waves ripple far and wide, such as Li Zhi, Jiao Hong and other heroic scholars, and great scholars of old learning, until finally it flows into the sea of Chinese traditional philosophical thought. Based on the theoretical system of the Confucians, the aesthetics of Taizhou School extracted the core category of "common People's Daily use" as the noumenon of beauty, and built a complete academic framework around it: Taking the "life" of the Lingqi as the fundamental feature of the beauty of "everyday people", the "body" of the lower masses organically integrated with the body and spirit as the main body of the creation of the beauty of "daily people", the "cultivation" of people perfecting themselves in "daily people" as the aesthetic creation practice, and the most fundamental and authentic "music" that people get when experiencing "daily people" as the aesthetic feeling. The whole system is perfect, clear and full of fresh vitality. Therefore, the aesthetics of "common People's Daily use" of Taizhou School not only has its irreplaceable status and value, but also directly affects the profound transformation of aesthetic concepts in the Ming and Qing Dynasties.
Shao Xiaozhou, female, born in Yangzhou, Jiangsu Province in January 1976. In 1998, he graduated from Nanjing Normal University, majoring in Chinese Language and Literature education, with a Bachelor of Arts degree. He worked in the former Yangzhou Normal School. He received his Master of Arts degree and Doctor of Arts degree from Yangzhou University in 2003 and 2006. He has been teaching since 2006.
热门标签
书单推荐