内容简介
《豆子芝麻茶》是杨本芬“看见女性”系列的第四本书，是一本珍贵的平民史歌。
本书分为两部分：“过去的婚姻”和“伤心的极限”。
在讲述过母亲（《秋园》）、乡亲（《浮木》）、婚姻（《我本芬芳》）之后，作者又将目光聚焦到秦老太、湘君、冬莲这三位老年女性的婚姻人生上，细致入微地讲述了一代女性在亲密关系当中的困惑与痛楚、选择与担当、勇气与坚持，即便命运不公，也不放弃自我救赎。
此外，在第二部分，作者回忆了与妈妈和哥哥一起经历的往事，以及两位至亲离世之际的锥心之痛，那些老人心间如芝麻豆子般的小事虽如露珠般微小、脆弱、转瞬即逝，却在那时那刻丈量着一个人伤心的极限。
豆子芝麻茶的创作者
作者简介
杨本芬，素人作家，现居江西南昌，今年83岁。17岁考入湘阴工业学校，后进入江西共大分校，未及毕业即下放农村。此后数十年为生计奔忙，相夫教子，后从某运输公司退休。花甲之年开始写作，80岁出版处女作和代表作《秋园》，之后陆续出版《浮木》《我本芬芳》等作品，均引起强烈反响，陆续获得十余项文学奖项。
如今，已经八十多岁的她，仍在写作，这不是奇迹，只是一个习惯了努力的人，在继续努力。
Content introduction
Bean and Sesame Tea, the fourth book in Yang Benfen's "Seeing Women" series, is a precious folk history song.
The book is divided into two parts: "The Past Marriage" and "The Limits of Heartbreak."
After telling the story of mother (Autumn Garden), villagers (Driftwood), and marriage (My Own Fragrance), the author focuses on the marriage life of the three elderly women, Qin, Xiang Jun, and Donglian, and tells the story of the confusion and pain, choice and responsibility, courage and persistence of a generation of women in the intimate relationship, even if the fate is unfair. I don't give up on saving myself.
In addition, in the second part, the author recalls the past experiences with his mother and brother, and the pain of the heart at the time of the death of two loved ones. The small things like sesame beans in the hearts of those old people are as small, fragile and fleeting as dew, but at that moment, they measure the limit of a person's sadness.
The creator of bean and sesame tea
About the author
Yang Benfen, 83 years old, lives in Nanchang, Jiangxi Province. At the age of 17, he was admitted to Xiangyin Industrial School, and later entered Jiangxi Gongda branch School. He spent the next few decades working for a living, supporting his husband and children, and then retired from a transportation company. At the age of 80, he published his first novel and representative work Autumn Garden, and later published Driftwood, My Own Fragrance and other works, which aroused strong reactions and successively won more than ten literary awards.
Now, in her eighties, she is still writing, which is not a miracle, just a person who is used to working hard, and continues to work hard.
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