《裙子的宣言》虽然女性解放的故事常常被定格在20世纪人们对裤子的日益接受上，但那个时代最重要、最具影响力的女性时装仍然是裙子。女权运动者身着裙子游行和表达诉求。随着女性在投票权、劳动力市场和整个世界的地位上取得长足进步，她们的衣着也随之改变。她们不需要用裤装表达强大或进步。福图尼、香奈儿、帕图等设计师从历史中汲取灵感，同时融入新的品味和技术，设计的裙装重新定义了20世纪的女性气质。

　　作者坎贝尔通过讲述小黑裙、酒吧套装、裸裙等改变游戏规则的款式，或者的士裙、紧身连衣裙等不起眼的创新，审视了20世纪女装的历史。这些极具影响力的服装让读者看到它们诞生的时代和穿着它们的女性，同时继续塑造着当代时尚，甚至为未来裙子的性别融合打开了大门。

　　这部闪耀的社会史，通过最具标志性和影响力的裙装：德尔斐长裙、网球裙、小黑裙、无肩带连衣裙、酒吧套装、裸裙、迷你裙、迷笛裙、紧身连衣裙……追溯了20世纪女性角色的转变，记录了女性自身不断变化的命运、自由和理想。

　　【作者简介】

　　[美]金伯利·克里斯曼-坎贝尔博士（Dr.KimberlyChrisman-Campbell）,时尚史学者、策展人和记者。曾在博物馆和大学担任顾问。著有FashionVictims:DressattheCourtofLouisXVIandMarie-Antoinette)，WornonThisDay:TheClothesThatMadeHistory，TheWayWeWed:AGlobalHistoryofWeddingFashion等多部时尚类专著。她经常为《华尔街日报》《大西洋月刊》《政客》，以及美国国家公共电台(NPR)等媒体撰稿。

　　【译者简介】

　　李景艳,哈尔滨工业大学外国语学院荣休教授，上海外国语大学贤达经济人文学院兼职教授。澳大利亚墨尔本大学语言教育学博士，曾任墨尔本大学教育研究院研究助理，文学研究院高级研究员、荣誉学者。译有《丛林：澳大利亚内陆文明之旅》《冷观静思美利坚》等。

While the story of women's liberation is often framed by the growing acceptance of trousers in the 20th century, the most important and influential women's fashion of the era was still the dress. Women's rights activists wore skirts to march and express their demands. As women made strides in voting rights, in the labor market, and in the world at large, their clothes changed. They don't need pantsuits to express power or progress. Designers such as Fortuni, Chanel and Patou drew inspiration from history while incorporating new tastes and techniques to create dresses that redefined 20th century femininity.

Campbell examines the history of womenswear in the 20th century by telling of game-changing styles such as the little black dress, the bar suit, the nude dress, or the humble innovations such as the taxi dress and the sheath dress. These highly influential pieces allow readers to see the era in which they were born and the women who wore them, while continuing to shape contemporary fashion and even opening the door to gender fusion in skirts of the future.

This shining social history, through the most iconic and influential dresses: the Delphi dress, the tennis dress, the Little Black dress, the strapless dress, the bar suit, the nude dress, the miniskirt, the MIDI dress, the sheath dress... It traces the changing roles of women in the 20th century and documents the changing destinies, freedoms and ideals of women themselves.

【 About the author 】

Dr.KimberlyChrisman-Campbell is a fashion historian, curator and journalist. He has worked as a consultant at museums and universities. The author of FashionVictims: DressattheCourtofLouisXVIandMarie - Antoinette), WornonThisDay: TheClothesThatMadeHistory, TheWayWeWed: AGlobalHistoryofWeddingFashion more fashion class monographs, etc. She is a frequent contributor to The Wall Street Journal, The Atlantic, Politico, and NPR.

What do you mean?

Li Jingyan is emeritus Professor of School of Foreign Languages, Harbin Institute of Technology and adjunct Professor of Xianda School of Economics and Humanities, Shanghai International Studies University. He has a PhD in Language education from the University of Melbourne, Australia, and has served as Research Assistant, Senior Research Fellow and Honorary Scholar of the Institute of Literature, Institute of Education, University of Melbourne, Australia. He has been translated into "Jungle: A Journey of Civilization in the Australian Outback" and "Cold View Meditation on America".