《倍速社会》内容简介
是什么让我们等不及看完一部电影？
越来越多的人喜欢用倍速观看视频。2小时的电影，如果觉得无聊，可以用1.5倍速；想提前知道情节发展，可以看剧透。
倍速播放的用户多为年轻人？
为什么越来越多的作品用台词表达一切？
“作品欣赏模式”与“信息收集模式”有何区别？
倍速视听的实质是“享乐主义”？
……
本书的调查发现的事实是——社会上存在着一种不得不这样做的迫切性。
作者简介
[日]稻田丰史
1974年出生于爱知县。作家、编辑。
横滨国立大学经济系毕业后，入职电影发行公司GAGACorporation。之后在电影旬报社从事DVD行业杂志相关的工作，2013年辞职成为自由作家。
著有《美少女战士世代的社会论》《关于哆啦A梦：大雄系男子与藤子·F.不二雄的时代》《我们的离婚》《“乌龙派出所”社会论：超一级的文化史料解读》等作品。
"Double speed Society" content introduction
What makes us wait to finish a movie?
More and more people like to watch videos at double speed. 2 hours of movie, if you feel bored, you can use 1.5 times the speed; To get a preview of what's going on, watch Reveal the plot.
Double speed play users are mostly young people?
Why are more and more productions using lines to say everything?
What is the difference between "work appreciation mode" and "information collection mode"?
Is the essence of double speed audiovisual "hedonism"?
...
What the investigations in this book have uncovered is the fact that there is a social urgency to do so.
About the author
[Day] Takashi Inada
He was born in Aichi Prefecture in 1974. Writer, editor.
After graduating from the Department of Economics at Yokohama National University, he joined GAGACorporation, a film distribution company. He then worked on DVD trade magazines at the Film Office before quitting in 2013 to become a freelance writer.
He is the author of the Social Treatise of the Sailor Moon Generation, About Doraemon: The Era of Nobita and Fujio F. Fujio, Our Divorce, and The Social Treatise of the Oolong Police Station: A Super-Level Interpretation of Cultural Historical Materials.
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