内容简介
图像无处不在。然而，为何有些图片能得到成千上万个点赞，甚至成为视觉文化的标志性坐标，有些则不会，图像是如何俘获、惊艳、催眠我们的？
杰出的设计理论家里卡尔多·法尔奇内利采用了完全不同于以往艺术书籍的范式，将文艺复兴的绘画与库布里克的电影放在一起，将抽象艺术与当代广告作对比，解释了图像是如何被设计、创造的，以及背后的原因。
作者简介
里卡尔多·法尔奇内利（Riccardo Falcinelli）
1973年出生
平面设计师，设计理论家
在伦敦中央圣马丁艺术与设计学院学习后，毕业于罗马大学意大利文学专业。曾为意大利多家出版社策划和设计书籍。自2012年起，在罗马工艺美术高等学院教授感知心理学。
其著作《视觉设计的便携式批判》令人将其视为对当今设计蕞具独特理念的人物之一。
Content introduction
Images are everywhere. But why do some images get thousands of likes and become iconic landmarks of visual culture, while others don't, and how do images capture, amaze, and hypnotize us?
The brilliant design theorist Riccardo Falcinelli takes a completely different paradigm from previous art books, juxtaging Renaissance paintings with Kubrick films, contrasting abstract art with contemporary advertising, and explaining how images are designed, created, and why.
About the author
Riccardo Falcinelli
Born in 1973
Graphic designer, design theorist
After studying at Central Saint Martins College of Art and Design in London, he graduated in Italian literature from the University of Rome. He has planned and designed books for several Italian publishing houses. Since 2012, he has taught the psychology of perception at the Ecole Superieure des Arts and Crafts in Rome.
His book, A Portable Critique of Visual Design, is regarded as one of the most unique ideas on contemporary design.
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