内容简介
作者从诸多史事入手，讲述代表性电影的文本内容和拍摄中不为人知的多重际遇，细观跨越百年的近代中国电影史。
本书既可从历史的视角看电影，也可从电影的视角看历史。内中涵盖不可绕过的重要时段和关键人物，再现了纪录片、神怪片、儿童片、战争片、喜剧片、民族片、革命片等不同类型电影的表达方式，以及编剧、导演、演员参与其中的具体细节。为了更清晰地回顾百年影史，作者从早期纪录电影入手，进而分析《盘丝洞》《风雨之夜》等影片的文化内涵；继之重点介绍了李萍倩、胡蝶、凌子风、欧阳予倩、严恭、石挥、严寄洲、孙羽、李少白、郑君里的影人生涯，重在彰显时代浮沉当中的个人生命史；此外，作者亦探究新中国电影史学的困境、经验与启示，并触及儿童电影的相关理论。
全书立足于近百年的长时段，更立体地感受时代文化与社会的跌宕激越，并为领会电影的艺术魅力提供了深入浅出的理解方式。
作者简介
李镇
中国电影艺术研究中心副研究员，硕士生导师；北京电影学院文学系博士研究生。著有《行走镜中：电影文本的细读》，主编《郑君里全集（8卷本）》《石挥谈艺录（3卷本）》《中国十七年电影研究》《银海浮槎》等多部作品。
Content introduction
Starting with many historical events, the author narrates the text content of the representative films and the unknown multiple experiences in the shooting, and examines the modern Chinese film history spanning over one hundred years.
This book can be viewed both from the perspective of history and from the perspective of film. It covers important periods and key characters that cannot be bypassed, and reproduces the expressions of different types of films such as documentaries, supernatural films, children's films, war films, comedy films, national films, revolutionary films, and the specific details of the participation of screenwriters, directors, and actors. In order to review the century-old film history more clearly, the author starts from the early documentary films, and then analyzes the cultural connotation of such films as "Winding Silk Cave" and "Stormy Night". The following focuses on the careers of Li Pingqian, Hu Die, Ling Zifeng, Ouyang Yuqian, Yan Gong, Shi Hui, Yan Zuzhou, Sun Yu, Li Shaobai and Zheng Junli, highlighting the personal life history of the ups and downs of The Times; In addition, the author also explores the dilemma, experience and inspiration of New China's film history, and touches on the relevant theories of children's films.
Based on a long period of nearly a hundred years, the book provides a more three-dimensional experience of the ups and downs of the era's culture and society, and provides a profound and simple understanding of the artistic charm of film.
About the author
Li Zhen
Associate researcher, Master Supervisor, China Film Art Research Center; PhD candidate, Department of Literature, Beijing Film Academy. He is the author of "In the Walking Mirror: A Close Reading of Film Texts", editor-in-chief of "Zheng Junli's Complete works (8 volumes)", "Shi Huizan Art Record (3 volumes)", "Seventeen Years of Chinese Film Research", "Silver Sea Floating Croucher" and many other works.
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