内容简介
黑色电影无疑是电影中最无定形的门类之一。诞生自美国好莱坞的“黑色电影”，却拥有一个浪漫的法国名字“Film Noir”。而事实上，黑色电影却几乎与“罗曼蒂克”无缘。提起“黑色电影”，最容易想到的是那些风格化、愤世主义的20世纪40、50年代好莱坞黑白电影——关于私家侦探、蛇蝎美女、犯案黑帮、亡命鸳鸯的情节剧。《黑色电影》一书没有回避这些影片，但詹姆斯•纳雷摩尔亦向我们指出：“黑色电影”这个术语远比我们所认识的复杂和矛盾，它是一份重要的电影遗产，也是我们投射到过去的一种观念。
作者简介
詹姆斯•纳雷摩尔（James Naremore），美国著名影评人，印第安纳大学荣休校长教授（Emeritus Chancellor’s professor），研究领域为英语文学、电影研究和跨文化交流等。著有《奥逊·威尔斯的魔幻世界》（The Magic World of Orson Welles）、《文森特·明奈利的电影》（The Films of Vincente Minnelli）、《电影中的表演》（Acting in the Cinema）等。
译者简介
徐展雄，导演，编剧。导演作品《荞麦疯长》等，编剧作品《追·踪》等。翻译作品有《黑色电影》《重访希区柯克》《青年斯大林》等。
Content introduction
Film noir is undoubtedly one of the most amorphous categories of film. "Film Noir" was born in Hollywood, but has a romantic French name "Film Noir". In fact, film noir has almost nothing to do with romance. When you think of "film noir," you're most likely to think of stylized, cynical black-and-white Hollywood films of the 1940s and 1950s -- melodramas about private investigators, femme fatales, criminal gangsters, runaway lovebirds. "Film Noir" does not shy away from these films, but James Naremore also points out that the term "film Noir" is far more complex and contradictory than we realize, it is an important legacy of film and an idea that we project into the past.
About the author
James Naremore is an American film critic and Emeritus Chancellor's professor at Indiana University, specializing in English literature, film studies, and intercultural communication. He is The author of "The Magic World of Orson Welles," "The Films of Vincente Minnelli," and "Acting in the Movies. Cinema), etc.
Translator's introduction
Xu Zhanxiong, director, screenwriter. Director works "buckwheat crazy growth", scriptwriter works "Chase · Trace" and so on. His translations include Film Noir, Hitchcock Revisited, Young Stalin and so on.
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