《新浪潮》内容简介

　　新浪潮把摄影机带离摄影棚，成功捕捉到了一代人的生活状态，更永远地改变了电影艺术。

　　本书通过对大量访谈、回忆、调查报告、报刊书籍等一手资料的精读和缕析，系统梳理了电影史上这一神话般的历史。而史实之外，新浪潮所具有的精神属性，亦通过作者的文字散发出某种光芒，感召和鼓舞着所有时代“疯狂怀抱雄心且疯狂真诚”的读者。

　　作者简介

　　安托万·德巴克AntoinedeBaecque

　　法国当代历史学家、批评家，巴黎高等师范学院教授，曾任《电影手册》总编辑、法国电影资料馆电影博物馆馆长、《解放报》文化版主编。长年深耕法国新浪潮与法国大革命等时期的文化现象，自1988年迄今，以“脉络化的作者策略”为经，以“历史的电影形式”为纬，持续撰写、编纂多部重量级的导演传记、文化史论、风格研究、电影字典与访谈录，现已出版五十余种专著，其电影方面的部分力作包括《安德烈·塔可夫斯基》、《〈电影手册〉，一本杂志的历史1&2》、《弗朗索瓦·特吕弗》(与塞尔日·杜比亚纳合著)、《新浪潮：一代年轻人的肖像》、《迷影：创发一种观看的方法，书写一段文化的历史1944—1968》、《摄影机—历史论》、《戈达尔传》、《电影思想字典》（与菲利普·瑟瓦里耶合编）、《侯麦传》（与诺尔·艾柏合著)、《让—皮埃尔·梅尔维尔传》、《电影死了，电影万岁！摄影机—历史论2》、《夏布洛尔传》等。

　　译者简介

　　蔡文晟

　　全职影迷，业余影评。巴黎第三大学电影学硕士，巴黎第十大学电影学博士，巴黎高等师范学院青年客座教授，现为湖北经济学院新媒体系副教授，重点研究王家卫、荣格与法国迷影暨影评史。译有《迷影：创发一种观看的方法，书写一段文化的历史1944—1968》（2021年）、《蔡明亮的十三张脸：华语电影研究的当代面孔》（2021年）、《电影导演的电影理论》（2019年）、《吻：唇与身体之密语》（2016年）、《电影编剧：来自法国的锦囊妙计》（2015年）等书。

Introduction to the New Wave

The New Wave took the camera off the studio, captured the life of a generation, and changed the art of cinema forever.

Through intensive reading and analysis of a large number of interviews, memories, investigation reports, newspapers and books and other first-hand materials, this book systematically combs this mythic history in the history of film. In addition to historical facts, the spiritual attributes of the new wave also emit a certain light through the author's words, inspiring and inspiring readers of all times who are "crazy ambitious and crazy sincere".

About the author

AntoinedeBaecque. AntoinedeBaecque

French contemporary historian and critic, professor at the Ecole Normale Superieure in Paris, was editor in chief of the Film Handbook, director of the Film Museum of the French Film Archive and editor in chief of the cultural edition of Liberation Daily. He has been deeply engaged in the cultural phenomena of the French New Wave and the French Revolution. Since 1988, he has continued to write and compile a number of important director biographies, cultural history theories, style studies, film dictionaries and interviews, and has published more than 50 kinds of monographs, based on "contextual author strategy" and "historical film form". Some of his best films include Andrei Tarkovsky, The Handbook of Cinema, a History of a Magazine 1&2, Francois Truffaut (co-authored with Serge Dubiana), The New Wave: Portraits of a Generation of Young People, and The Shadow: Creating a way of seeing and writing a History of Culture 1944-1968, The Camera - A History, The Biography of Godard, The Dictionary of Cinema Ideas (co-edited with Philippe Cevrier), The Biography of Rohmer (co-edited with Noel Eiber), The Biography of Jean-Pierre Melville, The Film is Dead, Long Live Cinema! Camera - Historiography 2, Biography of Chabrol, etc.

Translator's introduction

CAI Wensheng

Full-time fan, amateur critic. Master of Film Studies, University of Paris III, Doctor of Film Studies, University of Paris X, Young visiting professor, Ecole Normale Superieure de Paris, Associate Professor of New Media Department, Hubei University of Economics, focusing on Wong Kar-wai, Jung and the history of French fan film and film criticism. He has been translated into "Fan Shadow: Creating a Way of Watching, Writing a Cultural History 1944-1968" (2021), "The Thirteen Faces of Tsai Ming-liang: Contemporary Faces of Chinese Film Studies" (2021), "Film Theory of Film Directors" (2019), "Kiss: The Secret Language of the Lips and the Body" (2016), and "Film Writer" (2016). Tricks Up Your Sleeve from France (2015) and other books.