《中国山水画对谈录》内容简介
为什么中国人钟爱画山水？
千年来山水画经历了哪些变革与发展？
中国山水画与西方风景画有何区别？
山水画的笔墨和书法笔墨有何关联？画家的修养和性情如何影响作品？
当代人如何面对山水画传统？
早在南北朝，宗炳便以《画山水序》奠定了山水画的理念；此后历朝历代的画家创作了大量不朽名画，这些作品至今仍是艺术创作者取之不尽的灵感来源。本书收录了许钦松与邵大箴、郎绍君、薛永年、潘公凯、易英、朱良志、尹吉男、余辉、吴为山九位艺术史家、艺术评论家的对谈，循序渐进并深入浅出地讨论了中国山水画传统，以及现当代山水画的意义如何重建。
对谈山水画，既是解读前人,也是阐释自己。进入对话，随经典画作穿越千年.溯源中国人的审美基因。
作者简介
许钦松
国家一级美术师，享受国务院特殊津贴专家。曾任中国美术家协会副主席、广东省文学艺术界联合会主席、广东省美术家协会主席、广东画院院长。现任全国政协书画室副主任，中国美术家协会顾问，中国艺术研究院研究员、博士生导师。著名山水画家，作品被中国美术馆、中国国家博物馆等机构收藏。
"Chinese landscape painting Dialogue Record" content introduction
Why do Chinese people love landscape painting?
What changes and developments have landscape painting experienced in the past thousand years?
What is the difference between Chinese landscape painting and Western landscape painting?
What is the relation between landscape painting and calligraphy? How does a painter's cultivation and temperament affect his work?
How do contemporary people face the tradition of landscape painting?
As early as in the Southern and Northern Dynasties, Zong Bing established the concept of landscape painting with the Preface to Landscape Painting. Since then, painters in successive dynasties have created a large number of immortal famous paintings, which are still an inexhaustible source of inspiration for artists. This book consists of conversations between Xu Qinsong and nine art historians and critics, Shao Dazhen, Lang Shaojun, Xue Yongnian, Pan Gongkai, Yi Ying, Zhu Liangzhi, Yin Jinan, Yu Hui, and Wu Weishan, which discuss the Chinese landscape painting tradition step by step and how to reconstruct the meaning of modern and contemporary landscape painting.
Talking about landscape painting is not only to interpret predecessors, but also to explain oneself. Enter the conversation and travel through millennia with classic paintings. Tracing the aesthetic gene of Chinese people.
About the author
Xu Qinsong
National first-class artists, enjoy the special allowance of The State Council experts. He served as vice chairman of China Artists Association, Chairman of Guangdong Federation of Literary and Art Circles, chairman of Guangdong Artists Association and president of Guangdong Academy of Painting. He is currently the deputy director of the CPPCC National Committee, the consultant of the Chinese Artists Association, the researcher and doctoral supervisor of the Chinese Academy of Arts. A famous landscape painter, his works are collected by the National Art Museum of China, the National Museum of China and other institutions.
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