内容简介
本书立足田野现实和文献资料，以组织形式和演出模式为主线，梳理定县秧歌百年来的发展脉络，探究其传承演变的历史动因。在这起起伏伏的百年历程里，定县秧歌犹如一叶轻舟，在知识分子、管理组织、现代化等力量交织的历史洪流中演进。然而，看似身不由己的秧歌，始终野性难驯、自有方向。源于乡野的它，深深扎根在这片拥有共同文化基因的土地上、人心上，潜藏着无限的生机与可能。
作者简介
谷子瑞，1992年生，河北定州人，毕业于北京师范大学中国民间文学专业，师从岳永逸教授。因为热爱民间文化而开始研究家乡的秧歌戏，又在一场场的秧歌戏里，发现了不一样的秧歌故事。
Content introduction
Based on the field reality and literature, this book takes the organizational form and performance mode as the main line to sort out the development vein of Dingxian Yangko in the past hundred years and explore the historical motivation of its inheritance and evolution. In this one hundred years of ups and downs, Dingxian Yangko is like a leaf boat, evolving in the historical tide of intellectuals, management organizations, modernization and other forces. However, Yangge, which seems to be involuntarily, is always wild and has its own direction. From the countryside, it is deeply rooted in the land with a common cultural gene, the heart of the people, hidden infinite vitality and possibility.
About the author
Gu Zirui, born in 1992 in Dingzhou, Hebei Province, graduated from Beijing Normal University majoring in Chinese folk literature and studied under Professor Yue Yongyi. Because of the love of folk culture, I began to study the Yangko opera in my hometown, and in the Yangko opera, I found different Yangko stories.
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