内容简介
“你们怎么不说服我！”——侯导和阿城，一山不容二白羊
“造一座冰山”——侯导永远没有“够了”这回事
“这下总该上床了吧？”——侯导的感情戏偏不这么拍
“没事做就去睡觉！”——侯导就是不愿“戏剧化”
就是不让演员“演”——侯导与演员的斗争角力血泪史
首度贴身记录侯孝贤如何拍电影，揭示侯孝贤之所以是侯孝贤的原因所在。
电影里有的与没有的，拍出来与拍不出来的，尽在其中。
筹备期超过十年，剧本写作和拍摄历时五年，电影大师侯孝贤的首部武侠片《刺客聂隐娘》终于现出真面目，这中间，究竟发生了什么？
作为初出茅庐的新人，作者参与了电影从剧本讨论到拍摄杀青的全过程：编剧之间互相角力，剧本“织了拆、拆了织”，摄制组辗转京都、湖北、内蒙古、台湾各地，状况不断，侯导还要不停给自己出难题……作者试图以人类学的视角和生动笔触，还原现场，记录一部电影从无到有的诞生过程。
作者简介
谢海盟
一九八六年生于台北，二〇〇九年毕业于台湾政治大学民族学系，女同志，喜欢无用的知识，现职电影编剧与自由写作。
大学毕业后不久即加入电影《刺客聂隐娘》的编剧工作，此后跟随摄制组辗转各地拍摄，完整记录下电影从编剧构思到拍摄杀青的全过程。
曾写作数百万字作品，鲜少示人，谓以“自娱”。二〇一五年，以《舒兰河上》入围台北文学奖年金计划。
Content introduction
"Why don't you convince me?" Hou Dao and Acheng, one mountain does not allow two RAMS
"Build an iceberg" - Hou guide never "enough" this thing
"Is it time to go to bed now?" Hou guide's emotional drama is not so shot
"Go to bed with nothing to do!" -- Hou is unwilling to "dramatize"
Is not to let the actor "play" - Hou guides and actors struggle with the history of blood and tears
The first personal record of Hou Hsiao-hsien how to make movies, revealing the reason why Hou Hsiao-Hsien is Hou Hsiao-Hsien.
What is in the movie and what is not, what is made and what is not made, are among them.
After more than a decade of preparation and five years of script writing and shooting, The Assassin, Hou Hsiao-hsien's first martial arts film, finally shows its true face. What happened?
As a newcomer, the author participated in the whole process of the film from the script discussion to the shooting: the screenwriters wrestled with each other, the script was "woven and dismantled", the film crew traveled to Kyoto, Hubei, Inner Mongolia, Taiwan, and the situation was constant, Hou also kept giving himself problems... The author attempts to restore the scene and record the birth process of a film from scratch with an anthropological perspective and vivid brushwork.
About the author
Xie Haimeng
Born in 1986 in Taipei, graduated from the Department of Ethnology, National Chengchi University, Taiwan in 2009, lesbian, likes useless knowledge, currently working as a film writer and freelance writer.
Shortly after graduating from university, he joined the screenwriting work of the film "The Assassin", and then followed the film crew to shoot around, and completely recorded the whole process of the film from the screenwriting idea to the shooting.
He has written millions of words, rarely showing them to others, calling them "self-entertainment". In 2015, she was shortlisted for the Taipei Literature Prize Annuity Scheme with "On the Shulan River".
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