内容简介

　　黄宾虹不仅是一代国画宗师，更是一位著作等身的美术学者。本书是他探寻、阐发中国古代名画精微奥秘的绘画史著作。作者依画史先后展开论述，从上古三代图画实物开始，阐述各个时代的代表性画家及其风格，讲述历代绘画之精意，并且梳理其中的脉络、画家的师承、风格的流变。全书见解独到，文字精审而见性情，是研究中国绘画史的必读经典，一本简明中国绘画史。

　　《古画微》原文以文言文写成，特邀中国人民大学教授陈传席作序，中国传媒大学教授、绘画史领域专家邵军、中国美术史研究者王怀志为本书进行注译，以更好地帮助读者理解著作中的精意。

　　如何走进中国绘画史？让国画大师黄宾虹用一本书带你入门！

　　从上古形神、鸟虫文字，到汉代的画像砖与石刻、六朝的山水画、唐代绘画的气韵、宋代的士大夫画与院画、元明写意、清代复古……详解中国两千年绘画艺术之流变，一本书领略中国绘画史精要

　　140余幅全彩插图，《人物御龙帛画》《洛神赋图》《步辇图》《簪花仕女图》《富春山居图》……全彩拉页，纸上游览中国绘画博物馆

　　首次在单行本内收录《自序》与《结论》两篇，篇目补齐，完整呈现国画大师的画史理念

　　艺术史专业研究者全注全译，陈传席教授长文导读

　　作者简介

　　作者

　　黄宾虹（1865—1955）

　　初名懋质，后改名质，字朴存，号宾虹，别署予向。原籍安徽歙县，生于浙江金华。山水画一代宗师，画风黑密厚重，浑厚华滋，与齐白石并称“南黄北齐”。他不仅是一位宗匠级的画家，还是著作等身的美术学者，著有《古画微》《宾虹论画》《画学篇》等。

　　注译

　　邵军

　　中央美术学院博士，中国传媒大学教授、博士生导师，中国传媒大学美术学科召集人、带头人，中国美术家协会会员。长期从事中国绘画史、书画理论、宗教美术与美术传播等领域的研究和教学工作，在各类期刊发表论文数十篇，著有《唐代书画理论》等。

　　王怀志

　　中国传媒大学美术学专业博士，主要研究方向为中国美术史、古代画论。

Content introduction

Huang Binhong is not only a master of traditional Chinese painting, but also an art scholar with numerous works. This book is his work on the history of painting in which he explores and interprets the subtle mysteries of ancient Chinese famous paintings. According to the history of painting, the author starts from the three ancient generations of paintings, expounds the representative painters of each era and their styles, tells the essence of the paintings of the past dynasties, and sorts out the context, the painter's inheritance, and the change of style. The book has unique insights, and the words are refined to see the temperament, which is a must-read classic for the study of the history of Chinese painting, a concise history of Chinese painting.

The original text of "Ancient Painting Micro" was written in classical Chinese, and Chen Chuanxi, professor of Renmin University of China, was specially invited to write the foreword. Shao Jun, professor of Communication University of China and expert in the field of painting history, and Wang Huaizhi, researcher of Chinese art history, were specially invited to annotate and translate the book to help readers better understand the essence of the work.

How to enter the history of Chinese painting? Let the Chinese painting master Huang Binhong with a book to get you started!

From ancient shapes and spirits, bird and insect characters, to Han Dynasty portrait bricks and stone carvings, six Dynasties landscape painting, Tang Dynasty painting, Song Dynasty scholastic painting and courtyard painting, Yuan and Ming freehand, Qing Dynasty retro...... A detailed explanation of the evolution of two thousand years of Chinese painting art, a book to appreciate the essence of Chinese painting history

More than 140 full-color illustrations, "Characters Royal Dragon Painting on Silk", "Luo Shen Fu Map", "Bunian Map", "Ladies Wearing flowers", "Fuchun Mountain Residence"...... Full color pull page, paper tour of the museum of Chinese painting

For the first time in the single book included "Self-preface" and "Conclusion" two pieces, complete the items, a complete presentation of the Chinese painting master's painting history concept

All notes and translations of art history professional researchers, Professor Chen Chuanxi's long article introduction

About the author

author

Huang Binhong (1865-1955)

The first name MAO quality, after renamed quality, the word Piaocun, no bin Hong, don't sign to. Originally from Shexian County, Anhui Province, born in Jinhua, Zhejiang Province. Landscape painting generation master, painting style black dense thick, thick and rich, and Qi Baishi called "South yellow and North Qi". He is not only a master painter, but also a scholar of fine arts with numerous works, such as "Ancient Painting Micro", "Bin Hong on Painting" and "Painting Studies".

Annotation and translation

Shao Jun

Doctor of Central Academy of Fine Arts, professor and doctoral supervisor of Communication University of China, convenor and leader of fine arts discipline of Communication University of China, member of China Artists Association. He has long been engaged in research and teaching in the fields of Chinese painting history, painting and calligraphy theory, religious art and art communication, and has published dozens of papers in various journals, including the Theory of Painting and Calligraphy in the Tang Dynasty.

Wang Huaizhi

Doctor of Fine Arts, Communication University of China, main research direction for Chinese art history, ancient painting theory.