本书分为上、下两编，内容分别为18世纪情感观念研究和18世纪小说文本解读。本书重新定义了启蒙时代的根本特征，从“理性时代”的说法转移至“情感时代”；并从情感和内心的刻画以及私人社会形成的角度，对18世纪写实小说的兴起做出新的阐释。第一编的情感观念史梳理，为第二编的文学作品阐释建构一个坚实的语境，也使得著作同时体现了理论深度和专业文学解读的洞见，是一部学理性、深度和可读性兼备的人文思想著作。
作者简介
金雯，华东师范大学中文系和国际汉语文化学院双聘教授、博士生导师，国汉院比较文学系主任。研究领域为英美文学、比较文学和文艺理论。著有《多元普遍主义》（Pluralist Universalism,2012）和《被解释的美》（2018）。译著包括布鲁姆《影响的剖析》（2016）、翁达杰诗集《剥肉桂的人》（2017）、乔丽·格雷厄姆诗集《众多未来》（2020）和威廉·库珀诗集《诗人与牡蛎》（2023）等。并以“莫水田”为笔名在自媒体上写作评论、随笔与诗歌。
This book is divided into two parts: the first part and the second part. The contents are the research of emotion concept in 18th century and the interpretation of novel text in 18th century respectively. The book redefines the fundamental characteristics of the Age of Enlightenment, moving from the "age of reason" to the "age of emotion"; From the perspective of the depiction of emotion and heart and the formation of private society, this paper makes a new interpretation of the rise of realistic novels in the 18th century. The history of emotional concepts in the first part constructs a solid context for the interpretation of literary works in the second part, and makes the work reflect both theoretical depth and professional insight in literary interpretation. It is a work of humanistic thought with academic rationality, depth and readability.
About the author
Jin Wen is a professor and doctoral supervisor of the Chinese Language Department and the International Chinese Culture Institute of East China Normal University, and the director of the Department of Comparative Literature of the Chinese Language Institute. His research interests include British and American literature, comparative literature and literary theory. He is the author of Pluralist Universalism (2012) and Beauty Explained (2018). His translations include Bloom's Anatomy of Influence (2016), Ondaatje's The Cinnamon Stripper (2017), Jorie Graham's Many Futures (2020), and William Cooper's The Poet and the Oyster (2023). Under the pen name Mo Shuitian, he wrote comments, essays and poems on the media.
热门标签
书单推荐