《冈底斯的诱惑》是作家马原在西藏生活时期创作的中短篇小说集。收入《冈底斯的诱惑》《西海的无帆船》《山的印象》《叠纸鹞的三种方法》等八篇。这些小说围绕“我”或“我”的内地文艺工作者朋友、藏族朋友在雪域高原发生的故事展开，他们大多是因命运波折或浪漫情怀而变得离群索居的人，带着孤独和苦难的色彩，但又时时迸发出惊人的勇气和毅力。同时，这些小说敞开了叙事的边界，借助西藏的神秘氛围，建构出梦幻一般的叙事迷宫。
作者简介······
马原（1953—）
中国当代著名作家，曾任同济大学中文系教授。1953年出生于辽宁锦州，毕业于辽宁大学中文系。后赴西藏担任记者、编辑。现定居云南。
1982年开始发表作品，主要作品有：中短篇小说《冈底斯的诱惑》《拉萨河女神》《虚构》《西海的无帆船》《喜马拉雅古歌》《拉萨生活的三种时间》《涂满古怪图案的墙壁》等，长篇小说《上下都很平坦》《牛鬼蛇神》《姑娘寨》等。
作为“先锋派”小说的领军人物，马原以著名的“叙述圈套”开创了中国小说界“以形式为内容”的先河。他极具革命性的叙事方式对中国当代小说的创新和发展产生了深远影响。
The Temptation of Gangdise is a collection of short stories written by the writer Ma Yuan when he lived in Tibet. "The Temptation of Gangdise", "No Sail in the West Sea", "The Impression of the mountain", "Three ways to fold the paper Harrier" and other eight articles. These novels revolve around the stories of "me" or "my" mainland literary and art worker friends and Tibetan friends in the snowy plateau, most of them are people who have become isolated due to the twists and turns of fate or romantic feelings, with the color of loneliness and suffering, but also burst out from time to time amazing courage and perseverance. At the same time, these novels open up the boundaries of narrative and construct a dreamlike narrative maze with the help of the mysterious atmosphere of Tibet.
About the author
Ma Yuan (1953 -)
He is a famous contemporary Chinese writer and was a professor in the Chinese Department of Tongji University. Born in Jinzhou, Liaoning Province in 1953, he graduated from the Chinese Department of Liaoning University. Later, he went to Tibet to work as a reporter and editor. He now lives in Yunnan.
In 1982, she began to publish her works, including novellas and short stories "The Temptation of Gangdise", "Goddess of Lhasa", "Fiction", "Sailless in the West Sea", "Ancient Himalayan Songs", "Three Times of Life in Lhasa", "Walls covered with strange patterns", etc., and novels "Flat up and down", "Ghosts and Serpents" and "Girls' Village".
As a leading figure of the "avant-garde" novels, Ma Yuan pioneered the "form as content" in Chinese novel circles with his famous "narrative trap". His revolutionary narrative style has had a profound influence on the innovation and development of Chinese contemporary fiction.
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