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资本主义现实主义
资本主义现实主义
资本主义现实主义
作者:马克·费舍
格式:EPUB/MOBI/AZW3
时间:2024-03-19
豆瓣评分:8.3
内容简介

  【内容简介】

  一部具有文学气质的时代小书,记录活在工作—生活怪圈中的一代人。

  为什么心理问题是个政治问题?◎想象世界末日比想象资本主义末日更容易?

  “21世纪被一种令人窒息的有限感和疲惫感所压迫。”

  当代思想家,费舍作品首次引进国内。

  互联网思辨妙手、21世纪头五年英国“社交媒体的中心”,马克·费舍代表作。

  2008年左右,费舍离开伦敦,回到满溢童年假日记忆的萨福克郡,他对妻子说:“它能卖出500本我就很满足了。”此时,他不需要再时刻警惕抑郁症,一切似乎都向好发展:小书的销量爆发性增长,触动了无数个体的内心,也“激励了近二十年来第一次大规模重新政治化的年轻人”。但2017年,费舍决绝地离开了我们。

  这是一本“令人不安”的小书。一部以身入局、面向当下的反思性著作。从学生“倦怠无聊的脸上”,费舍发现作为数字切片的年轻一代,在娱乐矩阵中沉迷上瘾;在电影《盗火线》《教父》中,发现后福特主义——组织只以利益联结,丧失了教父时代对地方和社群的依恋……在电视综艺中,他发现了遵循享乐原则的媒体,正如投喂我们的保姆,它只告诉观众“感觉和情绪”,媒体场上充斥着自我中心者……

  本书一出版,与在媒体遇冷、形成剧烈反差的是,在学生群体引发高度热议,成为青年一代的口袋书。《纽约客》《卫报》《爱尔兰时报》等知名媒体随后几年也纷纷刊发书评,知名书影音网站Goodreads上累计收获3万人4.23分(5分制)。

  这本小书非建构性大文本,与宏大的理论叙事格格不入,却对“现行社会经济秩序”来了直击入心的一剑击杀。它由一组关于社会文化的观察性描述,个人反思、回忆组成;将社会观察与流行文化结合,诊断社会情绪和时代问题。

  这本小书在各种文类之间滑动,跳出了可识别的“生态位”;却是围绕真问题、真经历的才华横溢之作,犀利剖析身处晚期资本主义文化中个体的痛苦与困惑。

  作者简介

  马克·费舍(Mark Fisher,1968—2017)

  网名K-punk,英国作家、乐评人,互联网上活跃的思想家,近乎实时地记录了一个不断变化的世界。

  21世纪初,他以K-punk为网名写博客,西蒙·雷诺兹称K-punk博客是“博客星丛”的中心。他写了几本书,包括意外大获成功的《资本主义现实主义》;同时,他还是Zer0 Books的联合创始人。2009年,Zer0 Books因《资本主义现实主义》一书在英国出版界声名鹊起。这本小书也被誉为“2011年左翼复兴的非正式宣言”。

  费舍死后被公认为一位深具影响力的思想家。罗伯·多伊尔在《爱尔兰时报》上写道:“21世纪还没有出现比他更有趣的英国作家。”《卫报》则将费舍的K-punk博客描述为“一代人的必读物”。

  【译者简介】

  王立秋,云南弥勒人,北京大学国际关系学院比较政治学博士,哈尔滨工程大学人文社会科学学院讲师。译有《渎神》《潜能》《为什么是阿甘本?》《散文的理念》《导读萨义德》《将熟悉变为陌生:与齐格蒙特·鲍曼对谈》等。



【 Content Introduction 】

A literary period book about a generation living in the cycle of work and life.

Why is a psychological problem a political problem? Is it easier to imagine the end of the world than the end of capitalism?

"The 21st century is oppressed by a suffocating sense of limitation and exhaustion."

Contemporary thinker, Fisher's works were first introduced into China.

The Internet thinker, the "centre of social media" in the UK in the first five years of the 21st century, Mark Fisher's representative work.

Around 2008, Fisher left London to return to Suffolk, a county filled with memories of childhood holidays, and told his wife: "I'll be happy if it sells 500 copies." At this point, he no longer needs to be constantly vigilant about depression, and everything seems to be going well: sales of small books have exploded, touching the hearts of countless individuals and "inspiring the first large-scale re-politicization of young people in nearly two decades." But in 2017, Fisher left us for good.

This is a "disturbing" little book. A reflective book about the present and the present. From the students' "ennui and boredom faces," Fisher found that the younger generation, as digitally sliced, was addicted to the entertainment matrix; In the movies "Heat" and "The Godfather", we find post-Fordism - organizations are only connected by interests, and they have lost the attachment to place and community in the Godfather era. In the TV variety show, he found the media that follows the principle of hedonism, just like the nanny who feeds us, it only tells the audience "feelings and emotions", and the media field is full of self-centered people...

As soon as the book was published, in sharp contrast to the cold reception in the media, it triggered a high degree of heated discussion among students and became a pocket book for the young generation. The New Yorker, The Guardian, The Irish Times and other well-known media have also published book reviews in the following years, and the well-known book video website Goodreads has amassed a total of 4.23 points (5 points) from 30,000 people.

This small book is a non-constructive big text, which is incompatible with the grand theoretical narrative, but it is a direct blow to the heart of the "current social and economic order". It consists of a set of observational descriptions of social culture, personal reflections and memories; Combines social observation with popular culture to diagnose social mood and contemporary issues.

This little book slides between genres, jumping out of identifiable "niches"; It is a brilliant work around real problems and real experiences, a sharp analysis of the pain and confusion of individuals living in a late capitalist culture.

About the author

Mark Fisher (1968-2017)

K-punk is a British writer, music critic and active thinker on the Internet who documents a changing world in near real time.

In the early 2000s, he blogged under the screen name K-punk, which Simon Reynolds called the center of a "constellation of blogs." He has written several books, including the surprisingly successful "Capitalist Realism"; He is also the co-founder of Zer0 Books. Zer0 Books rose to prominence in the UK publishing world in 2009 with the book Capitalist Realism. The little book has also been hailed as "the unofficial manifesto for the resurgence of the Left in 2011."

Fisher was posthumously recognized as an influential thinker. "The 21st century has not seen a more interesting British writer," Rob Doyle wrote in the Irish Times. The Guardian described Fisher's K-punk blog as "must-read for a generation".

What do you mean?

Wang Liqiu, a native of Maitreya, Yunnan Province, holds a PhD in comparative politics from the School of International Studies, Peking University, and is a lecturer at the School of Humanities and Social Sciences, Harbin Engineering University. Translated as "Blasphemy," "Potential," "Why Forrest Gamben?" "The Idea of Prose", "Introduction Said", "Turning the Familiar into the Unfamiliar: A Conversation with Sigismund Bauman", etc.

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文件名称:资本主义现实主义
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