内容简介

　　沉睡的访谈，被封存于盖蒂研究所档案室内，一份长篇对话的手稿，对话发生于1941年的里昂与尼斯，发生在艺术评论家皮埃尔·库尔蒂翁与亨利·马蒂斯之间。关于人，关于地点：早年在巴黎的波希米亚生活、突破学院派传统的尝试、与艺术商及收藏家的交往、对技艺的思索、寻求光与色的旅行……在马蒂斯的叙述中一一浮现，鲜活犹如他绘画中的色彩。闲谈中的马蒂斯随性、真诚。未经雕琢，毫不迂回。访谈回顾了这位野兽派艺术大师的创作生涯，而马蒂斯做出了将永远埋葬的决定，因为他意识到“造型是无法被描述的。我们无法用词语来创造一种等价物”……

　　作者简介

　　[法]亨利·马蒂斯著亨利·马蒂斯，1869年出生，是法国一位粮食商人的儿子，在巴黎学习法律之后开始从事法律事务，本欲走上律师之路。一次阑尾炎住院使他得以接触绘画，发现其中的乐趣“如同在天堂里”，于是不顾父亲的反对，投身“将为饥饿而哭泣”的绘画艺术。作为20世纪第一个现代流派——野兽派的核心人物，马蒂斯在西方艺术史上是一个举足轻重的人物。正是这位儒雅温和如绅士般的艺术家用他的理性、直觉和才华将绘画艺术带入日益纯化和简化的发展之路。作者:[法]皮埃尔·库尔蒂翁著皮埃尔·库尔蒂翁，法国记者、艺术评论家。张慧译张慧，毕业于西安交通大学法语系，现于巴黎先贤祠-索邦大学攻读艺术史博士学位，并兼任卢浮宫学院授课教师。合译著有《德加，舞蹈，素描》、《摄影美学：遗失与留存》；自2021年起，为西岸美术馆与蓬皮杜中心五年展陈合作项目担任展览画册的审校工作。张博校对张博，本科毕业于南京大学文学院，之后旅法留学九年，获得巴黎索邦大学文学硕士，现在巴黎索邦大学攻读法国文学博士学位。曾长期研究阿尔贝·加缪的作品与思想并撰写大量相关文章

Content introduction

The sleepy interview, sealed in the archives of the Getty Institute, is a manuscript of a lengthy conversation between art critics Pierre Courtionne and Henri Matisse in Lyon and Nice in 1941. About people, about places: early Bohemian life in Paris, attempts to break out of academic traditions, contacts with art dealers and collectors, reflections on craft, travels in search of light and color... In Matisse's narrative, they emerge as fresh as the colors in his paintings. Matisse is casual and sincere in small talk. Unpolished, no detour. The interview looked back on the fauvism master's career, and Matisse made the decision to be buried forever because he realized that "styling cannot be described." We cannot create an equivalent in words "...

About the author

Henri Matisse was born in 1869, the son of a French grain merchant. After studying law in Paris, he began practicing law with the intention of becoming a lawyer. A hospital stay for appendicitis gave him access to painting, which he found fun "like being in heaven" and, against his father's objections, devoted himself to the art of painting, which "will cry for hunger". As the central figure of Fauvism, the first modern school of the 20th century, Matisse is a pivotal figure in the history of Western art. It was this gentle, gentle and gentlemanly artist who, with his rationality, intuition and talent, brought the art of painting into an increasingly purified and simplified way of development. By Pierre Courtione Pierre Courtione is a French journalist and art critic. Zhang Hui, graduated from Xi 'an Jiaotong University in the Department of French, is now studying for a doctorate in Art history at the Panico-Sorbonne University in Paris, and is also a lecturer at the Academy of Louvre. His translations include Degas, Dance, Sketch and Photography Aesthetics: Loss and Retention. Since 2021, he has been reviewing the exhibition album for the five-year exhibition cooperation project between the West Bund Art Museum and the Pompidou Center. Zhang Bo received his bachelor's degree from the Faculty of Arts of Nanjing University. After studying in France for nine years, he obtained his Master of Arts from the Sorbonne University in Paris. He is now studying for his doctorate in French literature at the Sorbonne University in Paris. He has studied Albert Camus's works and thought for a long time and has written a large number of related articles