内容简介
安妮·埃尔诺和她的爱人马克·马力，拍摄下14张两人云雨过后的杂物相片，然后分别用文字记录下可见和不可见的东西。
在拍摄这些相片的时间前后，埃尔诺罹患乳腺癌。生长肿瘤的乳房，大量脱落的头发，抗癌药物侵害的病体，这位用自身经历书写生活的作家将残缺的身体转移到相片之中。物质性的东西成为爱、死亡、欲望、缺失的唯一证据。
“我意识到我为相片所着迷，正如自孩提时代起，我总是被污迹所吸引：床单或是扔在走道里的旧床垫上的血迹、精液痕迹、尿渍；嵌入木质冷餐台上的酒渍或食物残迹；旧时信纸上的咖啡渍或油腻腻的指印。最具物质性的有机污渍。我意识到我对写作有着同样的期待。我希望词语就像那些我们无法去除的污迹一样。”
作者简介
安妮·埃尔诺（Annie Ernaux），法国当代女作家。出生于法国利勒博纳，在诺曼底的伊沃托度过青年时代。持有现代文学国家教师资格证，曾在安纳西、蓬图瓦兹和国家远程教育中心教书。她住在瓦兹谷地区的塞尔吉。2022年获诺贝尔文学奖。
译者
陆一琛，北京大学文学博士，巴黎索邦大学文学博士。苏州大学法语系副教授。主要研究方向为法国现当代文学、法国现当代文学与视觉艺术。译有《绿眼睛：杜拉斯与电影》《电影的节奏是心跳》等。
Content introduction
Anne Elnor and her lover, Mark Marley, took 14 photos of the couple after sex, and then wrote down what was visible and what was not.
Around the time these photos were taken, Erno developed breast cancer. The author, who wrote about her life through her own experiences, transferred her mutilated body into her photographs, showing her breasts growing with tumors, her hair falling out, and her body being damaged by anti-cancer drugs. Material things become the only evidence of love, death, desire, absence.
"I realized that I was fascinated by photographs, just as I had always been fascinated by stains since childhood: blood, semen, urine stains on sheets or old mattresses left in the hallway; Wine or food stains embedded in wooden countertops; Coffee stains or greasy finger marks on old letter paper. The most materialistic organic stain. I realized I had the same expectations for writing. I want words to be like those smudges that we can't remove."
About the author
Annie Ernaux is a French contemporary writer. Born in Lillebonne, France, he spent his youth in Ivotto, Normandy. He holds a national teacher's Certificate in Modern Literature and has taught in Annecy, Pontoise and at the National Centre for Distance Education. She lives in Serge in the Oise Valley region. He won the Nobel Prize for Literature in 2022.
translator
Lu Yichen is a doctor of Literature from Peking University and a Doctor of Literature from the Sorbonne University in Paris. Associate Professor, Department of French, Suzhou University. His main research interests are French modern and contemporary literature, French modern and contemporary literature and visual arts. Green Eyes: Duras and the Movie, The Rhythm of the Movie is the Heartbeat, etc.
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