这是一部关于上海和与上海有关的中国的长篇小说，一共分为四辑。
有旧上海和新上海的场景、人物，有这个城市的骨血、脉络和灵魂的秘径。那些令人魂牵梦萦的情人，公园长椅上日复一日等待盼望的白俄钢琴师，天才的少年，美丽而奇幻的玫瑰园以及惆怅中执守不弃的老克勒。不同的街区，不同的楼层，不同的时代，外国人和本地人，古人、今人和少年，却都由着旧日时光而指向未来之日。
一个文学史上全然不同又淋漓尽致的上海。
一道不逝之光，从起初一直到终结，构成了张广天小说系列的独特中国叙述，正如普希金所言：“过去的都是美好”，又说，“心总要向着未来”。
多重方法论的叙述，小说和非小说融为一体，一个大舞台的不同场景在转换，一些强烈的人物性格在交织，终于呈现出大事的场面。这本书有浓烈的人物色彩，却归根结底是以人写事的。所谓事，正如作者在序言中写的，“那些来日，因向着未来的心，总是美好的。我这书里记叙的人事，都是我所向往的，于我而言，或者来而即逝，或者久违而不曾来到。他的，她的，你的，还有我的，既不在当下，也就无所谓是谁的，都是眼下不在的，总盼望将来实现。”
作者简介
张广天，1966年生于上海。作家，音乐家，戏剧家。中央美术学院实验艺术学院教授，“方法论叙述与表演”导师。曾出版长篇小说《妹方》《既生魄》《南荣家的越》《甘伯记》，出版叙事长诗《玉孤志》和学术著作《手珠记》。导演《切·格瓦拉》《圣人孔子》《基尔凯廓尔药丸》《野草尖叫蓝靛厂》。
This is a novel about Shanghai and China related to Shanghai, which is divided into four series.
There are scenes and characters of old Shanghai and new Shanghai, as well as the bones and blood, veins and secret paths of the soul of this city. The haunting lovers, the White Russian pianist who waits day after day on a park bench, the talented boy, the beautiful and magical rose garden, and the old Koehler who holds on to it in despair. Different blocks, different floors, different times, foreigners and locals, ancient people, modern people and young people, but by the old time and point to the future.
A completely different and incisive Shanghai in the history of literature.
An eternal light, from the beginning to the end, constitutes the unique Chinese narrative of Zhang Guangtian's novel series, as Pushkin said: "The past is good", and "the heart must always look to the future".
Multiple methodological narration, fiction and non-fiction are integrated, different scenes of a big stage are transformed, some strong characters are intertwined, and finally a major scene is presented. This book has a strong character color, but in the final analysis, it is written by people. The so-called thing, as the author wrote in the preface, "Those coming days, because of the heart toward the future, are always good." The people I describe in this book are all things I yearn for, for me, either come and go, or have been absent for a long time. His, hers, yours, and mine are not in the present, and it doesn't matter whose they are, they are not in the present, always looking forward to the future."
About the author
Zhang Guangtian was born in 1966 in Shanghai. Writers, musicians, dramatists. Professor, School of Experimental Art, Central Academy of Fine Arts, tutor of "Methodological narration and Performance". He has published novels "Mei Fang", "Both Life and Soul", "The Yue of Nanrong Family" and "Gambo Ji", published narrative poem "Jade Gu Zhi" and academic work "Hand Bead Ji". Director "Che Guevara", "Saint Confucius", "Kirkhel Pill", "Weeds scream Blue Indigo Factory".
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