作品简介
本书是小白最新结集的随笔集，延续作者上一本畅销随笔集《好色的哈姆莱特》的特点——“以男女之事的瓶子装文化之酒”（陆谷孙教授对其评语），同时在题材的深度和广度、语言的风格化和形式的多样性上都比前者有更深的拓展。
全书分四辑。第一辑包括《布纹羊皮纸还是破布羊皮纸？》等十数篇随笔，厘清印刷史、学术史、医学史和艺术史上的真相，钩沉其中的故识和趣事；第二辑包括《瓶中日月长》《照壁成双影》等数篇随笔，从古希腊瓶画及古罗马湿壁画、马赛克镶嵌画、器物浮雕画中解读出一段段栩栩如生的性爱史和文化史；第三辑包括《轮到谁来讲故事》《间谍是怎样炼成的》等十数篇以书评为基点出发的文学、艺术和电影评论；最后一辑《老电影笔记》《反讽的爱情笔记》等则以笔记和对话体的形式集中展现作者电影、情色以及现实与想象等主题的深入探讨。本书是国内随笔领域少见的真正做到深入浅出的作品。既不乏真材实料，具有不输于学院水准的学术价值，读来又饶有趣味，以其鲜明的、承继英式随笔精髓的文风在文坛独树一帜。与文字相映成趣的，是由作者精心遴选的六十余幅全彩插图。插图的质量比起上一本《好色的哈姆莱特》有大幅度提升，构成了《表演与偷窥》的另一个叫人过目难忘的理由。
小白，生于上海，自由撰稿人，近五年来其文名逐渐在文化圈和读者群中广为人名。名下的长随笔、短专栏独树“异”帜、自成体系，发表在国内多家报刊上，如《万象》、《书城》、《读书》、《译文》、《东方早报·上海书评》、《南方都市报》、《上海一周》、《INK》等。
Introduction of works
This book is the latest collection of essays by Xiaobai, continuing the characteristics of the author's last best-selling collection of essays "Lewd Hamlet" - "bottling the wine of culture in the bottle of men and women's affairs" (Professor Lu Gussun commented on it), at the same time, the depth and breadth of the subject matter, the style of language and the diversity of forms are deeper than the former.
The book is divided into four volumes. The first collection includes "Cloth Parchment or Rag Parchment?" More than ten essays, clarifying the truth of printing history, academic history, medical history and art history, and delving into their stories and interesting stories; The second volume includes several essays, such as "The Length of the Sun and the Moon in the Bottle" and "The Double Shadow on the wall", which interpret the vivid sexual history and cultural history from the bottle paintings of ancient Greece and the frescoes of ancient Rome, mosaics and reliefs of instruments. The third volume includes "Whose Turn it is to Tell the Story" and "How Spies Are Made" and more than ten literary, artistic and film reviews based on the book; The last volume, "Notes on Old Movies" and "Notes on Ironic Love", focuses on the author's in-depth discussion of movies, eroticism, reality and imagination in the form of notes and dialogues. This book is one of the rare works in the field of Chinese essays that is truly profound and simple. Not only is there no shortage of real material, with academic values equal to the academic standards, but also interesting to read, with its distinctive style, inheriting the essence of British essay in the literary world. Complementing the text are more than 60 full-color illustrations carefully selected by the author. The quality of the illustrations has been greatly improved from the previous book "Lewd Hamlet", which constitutes another memorable reason for "Acting and Voyeurism".
Xiao Bai, born in Shanghai, is a freelance writer whose literary name has gradually become popular in cultural circles and among readers in the past five years. The long essays and short columns under his name are unique and have their own system, published in many domestic newspapers and periodicals, such as "Vientiane", "Book City", "Reading", "Translation", "Oriental Morning Post · Shanghai Review of Books", "Southern Metropolis Daily", "Shanghai Week", "INK" and so on.
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