作品简介
本书收录作者近年来关于鲁迅的七次演讲文稿。虽不过数万言，却在浩瀚的鲁迅研究的边上，辟出新的境界。论者或称它“还原”了鲁迅，或称它“唤回”了鲁迅；而对于作者，这样的公开谈论大先生，或许更类似于一种还愿。
对于鲁迅及鲁迅著作的研究已俨然成为了如今中国文学的一个学派，而本书更是众多鲁迅研究作品中的佼佼者。
陈丹青，1953年生于上海，著名油画家、作家，是目前中国最具影响力的文化批评者之一。
2000年回国，任职清华大学美术学院，2007年卸去教职。其间，因辞职事件及公开批评教育现状引发社会广泛关注，成为舆论一时焦点，更被媒体推崇为影响中国的五十位知识分子之一。除了教育，他对城市、影像、传媒等文化领域的诸多现象亦有独到见解和批评。著有《纽约琐记》《多余的素材》《退步集》《退步集续编》《荒废集》《外国音乐在外国》等。
Introduction of works
This book contains the author's seven speeches about Lu Xun in recent years. Although not more than tens of thousands of words, but in the vast Lu Xun research on the edge, a new realm. The theorists either say that it "restores" Lu Xun, or that it "recalls" Lu Xun; For the author, such a public talk about Mr. Big is perhaps more akin to a vow.
The study of Lu Xun and his works has become a school of thought in today's Chinese literature, and this book is a standout among the many works on Lu Xun.
Chen Danqing, born in 1953 in Shanghai, is a famous oil painter and writer who is currently one of China's most influential cultural critics.
In 2000, he returned to China and worked at the Academy of Fine Arts of Tsinghua University. In the meantime, due to his resignation and public criticism of the current situation of education, he has aroused widespread attention in the society, and has become the focus of public opinion, and has been praised by the media as one of the 50 intellectuals who have influenced China. In addition to education, he also has unique opinions and criticisms on many cultural phenomena in the field of cities, video, media and so on. He is the author of "The New York Book", "Superfluous material", "Regressive Collection", "Retrogressive Collection", "Abandoned collection", "Foreign Music in Foreign countries" and so on.
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