内容简介
古籍刻工一直是传统文献学所关注的重要对象。本书在广泛搜集与整理数千条清代刻工题名的基础上，通过宏观与微观两种视角，将刻工群体置于出版、文化、艺术等更为广阔的社会领域中加以考察，并对清代书籍史中的一些重要问题进行了深入探讨。
作者简介
郑幸，上海大学文学院教授，硕士生导师。近年来主要从事文学文献学、清代诗学、清代出版史方面的研究。2019—2020年曾赴日本庆应义塾大学附属研究所斯道文库访学一年。先后主持和承担国家社科基金、教育部人文社科等项目，在《文献》《中国典籍与文化》《中国诗学》《国学研究》等期刊发表学术论文数十篇，出版著作《袁枚年谱新编》（上海古籍出版社2011年版）、《王昙诗文集》（人民文学出版社2014年版）。
Content introduction
Ancient book carving has always been an important object of traditional philology. Based on the extensive collection and sorting of thousands of Qing Dynasty engraving inscriptions, this book examines the engraving groups in the broader social fields of publishing, culture and art from both macro and micro perspectives, and makes an in-depth discussion on some important issues in the history of Qing Dynasty books.
About the author
Zheng Xing, Professor and Master Tutor, School of Arts, Shanghai University. In recent years, he has mainly engaged in the study of literary documentations, poetics of Qing Dynasty and publishing history of Qing Dynasty. From 2019 to 2020, he visited the Research Institute of Keio University in Japan for one year. He has presided over and undertaken the National Social Science Foundation and humanities and social science projects of the Ministry of Education. He has published dozens of academic papers in Literatures, Chinese Classics and Culture, Chinese Poetics and Research on Chinese Studies, and published works Yuan Mei's New Annals (Shanghai Ancient Books Publishing House 2011 edition) and Wang Tan's Collected Poems (People's Literature Publishing House 2014 edition).
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